Canon RF 24-105mm f/2.8 L IS USM Z Lens (Canon RF)

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KSh 370,000.00 + VAT
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KEY FEATURES

  • Unprecedented Focal Range & Aperture: World’s first lens to combine a versatile 24-105mm zoom range with a fast, constant f/2.8 maximum aperture.
  • Internal Zoom Design: The barrel maintains a fixed physical length during zooming to keep the camera’s center of gravity completely stable on gimbals.
  • Power Zoom Compatibility: Features electronic contacts and mounting points to support optional motorized power zoom adapters for smooth, broadcast-style zooming.
  • Dedicated Cinema Iris Ring: Includes a physical, click-less manual aperture ring for precise, silent exposure adjustments during video recording.
  • Dual Nano USM Autofocus: Driven by two independent linear motors to deliver fast, near-silent, and incredibly accurate tracking for both stills and video.
  • Powerful Image Stabilization: Built-in optical stabilization offers 5.5 stops of shake correction, scaling up to 8.0 stops when paired with a compatible camera body.
  • Video-Optimized Optics: Engineered to suppress focus breathing and maintain electronic parfocal focus positioning throughout the zoom range.
  • L-Series Build Quality: Features a robust, dust- and weather-resistant construction designed to withstand demanding professional environments.
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Description

Canon RF 24-105mm f/2.8 L IS USM Z Lens (Canon RF) In Kenya

Canon RF 24-105mm f/2.8 L IS USM Z Lens (Canon RF) Price in Kenya is at Ksh370,000.

The Canon RF 24-105mm f/2.8 L IS USM Z is a groundbreaking professional hybrid zoom lens designed for Canon’s full-frame mirrorless system. It represents a massive technological leap by being the world’s first lens to combine the highly versatile 24-105mm standard-to-telephoto focal range with a bright, constant f/2.8 maximum aperture. This design effectively merges the wide reach of a traditional travel zoom with the low-light capabilities and shallow depth-of-field control of a fast prime or premium 24-70mm lens, making it a highly coveted all-in-one tool for event shooters, wedding photographers, and commercial filmmakers.
Engineered with a heavy emphasis on cinema and video production, the lens features a robust, weather-sealed internal zoom mechanism, meaning the barrel does not extend during operation. This keeps the physical size fixed and maintains a stable center of gravity, which is crucial for operators balancing camera rigs on motorized gimbals. The “Z” designation highlights its hybrid broadcast architecture, including electronic contacts and physical mounting points to host optional motorized power zoom adapters. Furthermore, it incorporates a physical, click-less manual aperture ring for seamless exposure adjustments during filming, alongside advanced optical engineering that heavily suppresses focus breathing and maintains precise focus tracking while zooming.
Autofocus is driven by dual Nano USM motors that deliver fast, near-silent, and incredibly precise tracking performance for both stills and fast-moving video subjects. Optical performance is backed by a complex arrangement of 23 elements—including Ultra-low Dispersion and aspherical glass—and an 11-blade circular diaphragm that produces smooth, circular bokeh. To keep handheld footage steady and low-light shots sharp, the built-in optical image stabilization offers up to 5.5 stops of shake correction on its own, which jumps to 8.0 stops when coordinated with a camera body featuring in-body image stabilization.
Despite its optical brilliance, the lens demands some operational compromises. Weighing roughly three pounds and mirroring a traditional 70-200mm f/2.8 lens in size, its bulk can make all-day handheld shooting physically exhausting for photographers. Additionally, to prevent the lens from being even larger and heavier, the optical design relies significantly on in-camera digital corrections to fix heavy barrel distortion and vignetting at the wide 24mm end. While these automatic corrections work seamlessly for video and standard image rendering, pixel-peeping stills photographers shooting raw files may notice a slight loss in edge sharpness after the digital stretching is applied.

 

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