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Panasonic Lumix DC-GH5S Digital Camera Body
KSh 219,999.00
Key Features
- 10.28MP Multi Aspect Ratio MOS Sensor
- DCI 4K60p and Full HD 1080/240p Video
- Internal 4:2:2 10-Bit Long GOP
- V-Log L Gamma and HDR Hybrid Log Gamma
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Categories: Cameras & Accessories, Panasonic
Description
Panasonic GH5S video features
To a stills photographer, this camera’s video specifications might not look particularly remarkable. It shoots 4K video, but so do many others, and it also shoots the slightly wider Cinema 4K (DCI 4K) format, which has a ratio of 17:9 rather than 16:9.

It can, however, shoot both at 50p/60p frame rates, which is altogether less common, and requires serious processing power, which inevitably comes at a price. Panasonic’s own LUMIX GH5 can shoot 4K UHD video at 50p/60p, but not in the wider Cinema 4K aspect ratio.
10.28MP Digital Live MOS Sensor and Venus Engine
Engineered specifically for low-light shooting and high-resolution video recording, a 10.28MP Digital Live MOS sensor is featured, along with an optimized Venus Engine for clean color detail and texture along with fast readout speeds. Using Multipixel Luminance Generation and Intelligent Detail Processing, it will maximize sharpness and detail as well as accuracy in a variety of lighting conditions.
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DCI and UHD 4K Video Recording
Specifically geared for video shooting, the GH5S features a versatile and capable range of video specs, including the ability to internally record DCI 4K at up to 60 fps and 150 Mbps with 4:2:0 8-bit Long GOP; 30 fps and 150 Mbps with 4:2:2 10-bit Long GOP; and 24 fps and 400 Mbps with 4:2:2 10-bit ALL-I. UHD 4K recording is also supported along with Full HD at up to 240 fps for slow-motion playback. A full-size HDMI port is present on the camera for high-quality output at 4:2:2 10-bit in all settings for use with external monitors and recorders.
Stills Recording and Depth-From-Defocus AF System
Beyond just a video camera, the GH5S is also adept at recording stills. Using the unique sensor architecture, the low-light capabilities and fast readout speeds make it ideal for working in difficult lighting conditions and for photographing fast-moving subjects. For 12-bit raw shooting, and when working with AF-S, continuous shooting up to 12 fps is possible, along with a top 8 fps shooting rate with AF-C. For greater color information, a 14-bit raw recording setting can also be used, and 11 fps and 7 fps continuous shooting rates are available.
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